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Society of Illustrators & other news

It's been a while since I posted anything in this news section, sorry. Most of my news is posted up on my Facebook site these days. It's hard to maintain both. Anyway, I have had some exciting news here and there. Mostly to do with Herman and Rosie. This morning I just found out from my US publisher (Neal Porter Books/Macmillan) that Herman and Rosie has been selected for the Society of Illustrators 2013 Original Art Show in New York for best illustrated children's books. Pretty happy about this as only a small group of illustrators are chosen (from 500 plus picture books I'm told) and I really wasn't expecting to make the cut. Now I just need to pick one illustration to exhibit. Just one! I'm WAY to close to see the wood for the trees here but I'm thinking maybe the one above. What do you think?

In other news Herman and Rosie had two early reviews in the US before its release and thankfully they have  been kind. Here's the review it got in Publishers Weekly (a starred review!):

And this is the review it received in Kirkus Review:


In bustling New York, anthropomorphic croc Herman and Rosie (a goat?) inhabit parallel lives until they discover they’re soul mates.

They live in tiny apartments in adjacent buildings. Herman plays oboe and sells “things” in a call center—until he’s canned for not selling enough of them. Rosie’s a restaurant dishwasher who takes singing lessons and gigs at a jazz club on Thursdays—until it’s shuttered. In pictures and text, Gordon cleverly foretells the pair’s entwined destiny, engaging readers conspiratorially as Herman and Rosie continually almost connect. Each, hearing the other’s music by chance, is mesmerized for days. Both love “watching films about the ocean” and turn to Cousteau documentaries for solace after their twin career setbacks. Traipsing the city (Gordon provides a map and key for their concurrent rambles), they simultaneously buy hot dogs from the same vendor—without meeting. Finally, Rosie hears “the familiar sounds of a groovy little jazz number” and leaps “to follow that tune.” The penultimate double-page spread shows them meeting—at last!—on Herman’s roof against a luminous full moon. The final page shows they’ve formed a quartet—The Cousteaus. Gordon utilizes vintage postcards, ledgers and maps to create collaged tableaux. Evocative of William Steig and Bernard Waber, the pictures at their best juxtapose New York’s duality: its cacophonous enormity and charming intimacy.

Sweetly celebrates artistic bonding in the Big Apple. (Picture book. 5-8)

Kirkus Review has a reputation for being being able to make or break a book so I'm pleased to escape intact.

Anyway, I can't wait for the book's release on October 15th. I'll actually be able to see the Society of Illustrators exhibition this year as I'm heading over to New York for the book's release to promote it. Going to a fun trip!

Hope you're all well and reading something interesting.

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    They animated in miniature abodes in abut structures. Herman rooms oboe furthermore pushs things in a stop hub until he’s canned for negative selling plenty of them. Rosie’s a luncheonette dishwasher who tolerates singing exercises furthermore gigs at a jive fraternity on Thursdays until it’s shuttered. In illustrations also manual.
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    Gus Gordon - news blog - Society of Illustrators & other news
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Reader Comments (1)

I like the endpapers Gus

August 16, 2013 | Unregistered Commenterlouise

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